On Monday, 24 February 2025, The London Palladium will host We Are Ukrainians: Three Years of Resilience, marking the third...
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Agustín Pereyra Lucena is a reminder of the border-defying quality of music. Born in 1948 in Buenos Aires, he started...
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50 years after they disbanded, London-based collective Cymande are back with a grave and infectiously groovy record. It’s another turn...
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Moonchild Sanelly’s career has been on the rise for some time. With her new album, Full Moon, the Port Elizabeth-born...
Robin Perkins aka El Búho was born on the fringes of the Peak District, but his music is a homage to...
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Album Review: Ebo Taylor, Adrian Younge & Ali Shaheed Muhammad – JID022 [Jazz Is Dead; January 2025]
Ebo Taylor’s legacy is assured. Not only has his back catalogue been preserved in high fidelity, reissued, and even sampled...
Rhythm Passport holders, welcome aboard! We’re buzzing to share the first of many chats we’ve had on the road over...
If you’d like to feel the pulse of Balkan music, with its new waves and vintage appeal, emerging trends and...
Interview: Q&A with Auntie Flo – “About Birds, Migration, and the Freedom of Dreams” (November 2024)
Six years and a world in the making… Brian d’Souza, better known as Auntie Flo, has consistently delivered far-reaching, horizon-opening...
Custodians of cultural heritage—this term beautifully encapsulates the essence of Pankisi Ensemble. These all-female group from the scenic Pankisi Gorge...
Drawing on the classical foundations of Persian, Arabic, and Baroque music, and with performances where intense rhythmic sequences transition into...
When an album like Port’Inglês arrives, it’s more than just new music—it invites a deeper exploration into its inspirations and...